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Some forty years from her emergence on the late
sixties folk club circuit, Maddy Prior is one of the most enduring,
influential and respected artists in British music.
Born in Blackpool and, raised in St Albans, Maddy first
came to prominence as a duo with singer/ guitarist Tim Hart,
building a reputation around the folk clubs and releasing two albums.
As the 70s dawned, they joined forces with Ashley Hutchings
(of Fairport Convention) and Gay & Terry Woods,
with the idea of fusing folk song with rock instrumentation and
technique. The new group took its name from a traditional Lincolnshire
ballad 'Horkstow Grange' - the tale of a character called
Steeleye Span.
So began an incredible story. Others may claim the
invention of folk-rock, but Steeleye were the first to drag it into the
electronic age. In the age of the giant rock band, Steeleye
Span fitted the bill perfectly, taking folk music out of the
backroom clubs and into the charts with a string of hit albums, gold
discs and world tours. Hart and Prior remained constant in a group
whose changing line-ups read like a Who's who of British folk, until
Tim left in 1980 and the band undertook a couple of sabbaticals, before
returning in 1986.
Throughout this period, Maddy continued with
extra-curricular activities. Two albums were released with June
Tabor (as the Silly Sisters) and solo
projects saw her work with the cream of traditional musicians including
Martin Carthy, Nic
Jones, Danny Thompson and John
Kirkpatrick. While Steeleye continued to explore traditional
material, Maddy used her albums to develop her own songwriting, despite
claiming to be in awe of the craft.
One of her most abiding projects was born in 1987 with
the release of A Tapestry of Carols with The Carnival
Band. The meeting came out of chance but this part-time
collaboration has lasted for twenty two years and several albums,
primarily a Yuletide affair but also exploring other ways to combine
early music, hymns, classical and more with an "anything goes"
attitude. Their Christmas tours have become something of legend, as
documented on the 1998 Carols At Christmas live album.
1997 was a year of change. Steeleye Span
(now with original member Gay Woods back in the fold)
released Time, acclaimed as their best album in many years. Two
massive UK tours followed, the second of which saw Maddy make her last
appearance with the band after 28 years. The workload of a band, the
Carnivals, a solo career and a family had started to prove too much and
a decision had to be made.
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Maddy
& Jethro Tull frontman Ian Anderson who produced
Steeleye's Now We Are Six
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But as one door closes, so another
opens, and a new solo album, Flesh & Blood was released to
widespread acclaim. Combining traditional and original material,
Maddy's voice had never sounded better, while her musical partners on
the project- keyboardist Nick Holland and
multi-instrumentalist Troy Donockley (uillean pipes,
whistles and guitars) were perhaps the most suited of her career.
Following the release, the trio toured in the UK, Europe and USA. After
debuting new material on stage, Maddy entered the studio to start work
on her next album, Ravenchild. Once more immersing herself in
her favourite topics of tradition, mythology and history, the record
was released in spring 1999 to critical acclaim and supported by
another British tour.
Ravenchild proved to be something of a landmark, being
Maddy's 35th album in as many years. It seemed only too appropriate to
mark this, so in December 1999 Maddy set out on the road again for a
special set of dates celebrating her career thus far. As well as Nick
and Troy, the shows brought together some of the musicians Maddy has
worked with over the years including Rick Kemp and Peter
Knight (of Steeleye Span), Steve
Banks (from The Carnival Band) June
Tabor, and Maddy & Rick's daughter, Rose Kemp.
These shows were documented in the live album (and DVD) Ballads
and Candles, released the following year. The most recent new
album - Gold Frankincense and Myrrh - is another
seasonal endeavour, but this time with some exciting new directions in
the form of another song-cycle, offering a new slant on the well-known
story of the Three Kings, and Middle Eastern influences in the music.
2000 saw the announcement that Maddy's longstanding
contribution to folk music was to be recognised with the award of an MBE
in the New Year's honours list.
At this stage, many might be
tempted to rest on their laurels, but if anything, Maddy has thrown
herself into her work with even more vigour. Her most ambitious work so
far, Arthur The King centred around an extended song-cycle
exploring the facts and fictions surrounding England's legendary King.
Affirming Maddy's reputation as a songwriter, and as
an unsurpassed interpreter of traditional song, the album explored an
even broader musical palette, from traditional folk through to hard
rock and ambient electronic textures.
Following
Arthur, Maddy and the boys made a CD of Lionhearts, based on
the story of Eleanor of Aquitaine, mother to Richard the Lionheart and
King John, and wife to Henry II.
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Abby Maddy
& Rose
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Maddy Prior's Girls
brought together Maddy, her daughter Rose Kemp, and Abbie
Lathe in a stripped-down, acoustic form, with anemphasis on
vocal harmony, and a range of material from traditional folk, gospel
and blues to contemporary writers and original material from all three.
A well-received album Bib & Tuck and two successful tours
followed.
When Rose decided to
devote more time to her own fast growing career, she was replaced by
Claudia Gibson and the CD Under the Covers was made. A daring
and unusual album from Maddy, covering the songs of recent songwriters,
based around the acapella arrangements the Girls had created.
In 2002 Maddy surprised everyone
with the announcement that she was to head a reunited Steeleye Span for
another album and tour. Present: the Very Best of Steeleye Span
was exactly that, with the band revisiting, and bringing into the
present their all-time favourite moments as chosen by their fans via an
online poll.
The band's sold-out tour
in the run-up to Christmas 2002 showed they were still very much a
force to be reckoned with.
In 2004 Steeleye celebrated their 35th anniversary
with tours in the Australia and the UK, a headline appearance at Sidmouth
International Festival and a new album: They Called Her
Babylon, the first release of new material from the band since
2000, and one that does the band's legacy proud.
In 2005 they made a seasonal CD of Christmas and
associated material called Winter, and at the end of 2006
toured the UK with another new studio album called Bloody Men
In October, 2006, Maddy went on the road touring a retrospective of her
work with Nick and Troy, based mainly around Arthur, involving a
webcast and interactive internet activity. A groundbreaking and
adventurous undertaking for the Park office Maddy's
management and record company.
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